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Batman v. Superman RT Thread: like standing ovations in rain

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Shaanyboi

Banned
What if TFA was reviewed this badly... The meltdown would be incredible.

I said it earlier, but I'd equate it to Cthulu rising from the waves. In a combination of awe, terror, and madness, all of humanity turns to one another and begins savagely murdering one another, mothers drowning their own children, people throwing themselves from rooftops.

It would be madness, in its purest form.
 

Bloomers

Member
I was mostly indifferent on watching this originally, but seeing the dropping RT score has ironically made me hyped af

because now I'm gonna watch it drunk
 

Dalek

Member
Reminder: Snyder was one of (if not the) first directors to talk to Lucasfilm about doing a spinoff.

quentin-tarantino-golden-globes-2013.gif
 
I said it earlier, but I'd equate it to Cthulu rising from the waves. In a combination of awe, terror, and madness, all of humanity turns to one another and begins savagely murdering one another, mothers drowning their own children, people throwing themselves from rooftops.

It would be madness, in its purest form.

Wow, Episode VIII has a lot riding on its shoulders :{
 

yuraya

Member
What if TFA was reviewed this badly... The meltdown would be incredible.

It should have. The second half of TFA was a big pile of shit. The Star Wars cult following would never diss it tho since its still infinitely better than the prequels and the first hour was really good.
 
Oh, is that the viewer/user score? That's more in line with my experience. Should make sure to look at that too at these aggregate sites.

The RT score is literally just a split between liked it/hated it (you can find out more about how RT translates scores to "like" or "dislike" on their site). A score of 90% means that 90% of reviews were favorable/positive, not that it has an average score of 90%.
 

Blader

Member
Visited Rotten Tomatoes. Real shock is that Cloverfield lane was at 90%. Thought it was just decent, well acted/directed but kind of boring/predictable. Looking forward to BvS this weekend, even if it's not great I imagine I'll get some reaction/enjoyment from it.

The 90% just means 90% of critics liked it to some degree, not that the average score was a 9 out of 10.
 

Chase17

Member
The RT score is literally just a split between liked it/hated it (you can find out more about how RT translates scores to "like" or "dislike" on their site). A score of 90% means that 90% of reviews were favorable/positive, not that it has an average score of 90%.

Oh, that makes way more sense. Thought this was just like Metacritic. Thanks for the explanation.

Edit: Also thanks to Blader.
 

icespide

Banned
It should have. The second half of TFA was a big pile of shit. The Star Wars cult following would never diss it tho since its still infinitely better than the prequels and the first hour was really good.

you think TFA should have reviewed as badly as BvS?
 

Blader

Member
It should have. The second half of TFA was a big pile of shit. The Star Wars cult following would never diss it tho since its still infinitely better than the prequels and the first hour was really good.

The "Star Wars cult following" =/= the wider critic community or general audiences, most of whom also rated TFA highly and shat on the prequels. So...
 
On the one hand, superhero movies do need to have some camp to them based on the inherent nature of spandex dudes doing superhuman feats. Superhero flicks do have to take into account the absurdity of the premise of the stories.

On the other, I really don't like the whole "but the movie is humorless! It's too dark! Too grim!" cavalcade of critiques. A lot of the impressions from this thread are actually much better than the vast majority of the RT reviews, in that they point out the actual flaws in the movie instead of generic kind-of-whining-but-not-really about the tone.

The comparison is obviously MCU movies, which from my perspective are slowly becoming formulaic and sterile, and the fact practically every character is written to be a quippy wise-ass that cracks a joke every other line that the patterns start to show. Comedy is becoming an increasingly bigger aspect of each movie and while it's obvious why it would work (comedy works better in the context of the absurdity of superhero flicks), it's still one style. I'm not saying MCU NEEDS to change its style and have a tonally super-serious entry, but the opposite is not true either; a superhero movie isn't inherently bad because it goes for a serious tone.

Not to defend the film, I think it looks like it'll be highly flawed and my expectations aren't high at all, but the specific criticisms are worrying. Some critics seem to subconsciously want to railroad superhero movies into exactly one style and one style only, and if you go for a serious tone it's "plodding", "brutal", and "humorless", as if comedy is the only flavor allowed for a superhero film.
 
Reviews don't really deter me, pretty excited to see this on Friday. See how it is for myself

That Chaw review almost made me want to see it more, honestly. I'm always fascinated by those off-the rails entries in a director's filmography, where they seem to let all the crazy monsters in their head go flying out onto the screen with no real regard for the viewer. Chaw namedropped Temple of Doom, and that's part of why I like that movie so much - it feels personal and revealing in a way I'm not sure Spielberg's ever been all that comfortable with. And he probably shouldn't. There's some weird, weird, ugly shit in that movie. It's part of Batman Returns' appeal, as well. That's one fucked-up, confused as hell Batman movie, but it's eminently rewatchable because Tim Burton is just using the character to go all manner of strange mental location, and that's not a thing these sorts of blockbusters tend to do. Avatar also did this to some degree, just let Cameron wallow in his crazy creative fetishes with no real checks and balances in place. And apparently, that's what's happened with Batman v Superman. We all thought Sucker Punch was that film for Snyder, but apparently that was just the warmup.

I don't know that I'm going to like this movie. It doesn't seem like I'm going to, based on what it's doing, and why it's doing it. But damned if I'm not gonna take my shot to experience Snyder's going over the cliff in a rail car while he chases the ghost of Watchmen.
 
Even if this movie got a 90% score, just reading what they do with some of my favorite characters in this movie would make me reject that. Burn this Elseworlds swine down and start over I say.
 
That Chaw review almost made me want to see it more, honestly. I'm always fascinated by those off-the rails entries in a director's filmography, where they seem to let all the crazy monsters in their head go flying out onto the screen with no real regard for the viewer. Chaw namedropped Temple of Doom, and that's part of why I like that movie so much - it feels personal and revealing in a way I'm not sure Spielberg's ever been all that comfortable with. And he probably shouldn't. There's some weird, weird, ugly shit in that movie. It's part of Batman Returns' appeal, as well. That's one fucked-up, confused as hell Batman movie, but it's eminently rewatchable because Tim Burton is just using the character to go all manner of strange mental location, and that's not a thing these sorts of blockbusters tend to do. Avatar also did this to some degree, just let Cameron wallow in his crazy creative fetishes with no real checks and balances in place. And apparently, that's what's happened with Batman v Superman. We all thought Sucker Punch was that film for Snyder, but apparently that was just the warmup.

I don't know that I'm going to like this movie. It doesn't seem like I'm going to, based on what it's doing, and why it's doing it. But damned if I'm not gonna take my shot to experience Snyder's going over the cliff in a rail car while he chases the ghost of Watchmen.

I feel the exact same way, except for one thing: the movie might be honest, but it's also apparently mindnumbingly boring.
 

mreddie

Member
On the one hand, superhero movies do need to have some camp to them based on the inherent nature of spandex dudes doing superhuman feats. Superhero flicks do have to take into account the absurdity of the premise of the stories.

On the other, I really don't like the whole "but the movie is humorless! It's too dark! Too grim!" cavalcade of critiques. A lot of the impressions from this thread are actually much better than the vast majority of the RT reviews, in that they point out the actual flaws in the movie instead of generic kind-of-whining-but-not-really about the tone.

The comparison is obviously MCU movies, which from my perspective are slowly becoming formulaic and sterile, and the fact practically every character is written to be a quippy wise-ass that cracks a joke every other line that the patterns start to show. Comedy is becoming an increasingly bigger aspect of each movie and while it's obvious why it would work (comedy works better in the context of the absurdity of superhero flicks), it's still one style. I'm not saying MCU NEEDS to change its style and have a tonally super-serious entry, but the opposite is not true either; a superhero movie isn't inherently bad because it goes for a serious tone.

Not to defend the film, I think it looks like it'll be highly flawed and my expectations aren't high at all, but the specific criticisms are worrying. Some critics seem to subconsciously want to railroad superhero movies into exactly one style and one style only, and if you go for a serious tone it's "plodding", "brutal", and "humorless", as if comedy is the only flavor allowed for a superhero film.

I really hope Civil War and Strange actually level things out.
 

Blader

Member
On the one hand, superhero movies do need to have some camp to them based on the inherent nature of spandex dudes doing superhuman feats. Superhero flicks do have to take into account the absurdity of the premise of the stories.

On the other, I really don't like the whole "but the movie is humorless! It's too dark! Too grim!" cavalcade of critiques. A lot of the impressions from this thread are actually much better than the vast majority of the RT reviews, in that they point out the actual flaws in the movie instead of generic kind-of-whining-but-not-really about the tone.

The comparison is obviously MCU movies, which from my perspective are slowly becoming formulaic and sterile, and the fact practically every character is written to be a wise-ass quippy let's-crack-jokes-every-other-line that the patterns start to show. Comedy is becoming an increasingly bigger aspect of each movie and while it's obvious why it would work (comedy works better in the context of the absurdity of superhero flicks), it's still one style. I'm not saying MCU NEEDS to change its style and have a tonally super-serious entry, but the opposite is not true either; a superhero movie isn't inherently bad because it goes for a serious tone.

Not to defend the film, I think it looks like it'll be highly flawed and my expectations aren't high at all, but the specific criticisms are worrying. Some critics seem to subconsciously want to railroad superhero movies into exactly one style and one style only, and if you go for a serious tone it's "plodding", "brutal", and "humorless".

I'd say it feels like certain fans are the ones who think superhero movies should be pigeonholed into "all comedy" or "all seriousness."

Nolan's trilogy was dark and grounded and widely acclaimed. Winter Soldier is the most grounded and serious of the MCU movies and is one of the most highly acclaimed of Marvel's movies. The problem is not dark superhero movies, the problem is assuming that making something dark and serious means having to suck all the fun and joy out of it -- which seems to be mainly a Snyder issue than anything else. There are plenty of other superhero directors (Nolan, Singer, the Russos) who know how to balance drama with levity in the right amounts in this genre.
 

yuraya

Member
you think TFA should have reviewed as badly as BvS?

Maybe not as badly but nowhere near the high 90s when reviews first launched. The second half of that movie was probably the most disappointing second half of a movie I've watched since Prometheus. It was awful.
 
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