I'd actually like to know
So be it... Plasma.
Barring the fact that the film can't physically give us everything the comic does, it manages to bring many a classic scene from the comic to the screen fairly faithfully, at least in terms of visuals. It also manages to miss the point of many of them, kinda like Zack does with Superman. I'm going to pick one example:
Nite Owl's reaction to Rorschach's death...
...is pure, unadulterated, Hollywood bullshit. It's awful. A brilliant scene utterly mangled in translation to screen.
The film gives us Rorschach and Manhattan's exchange, sure, but what could've been a contemplative moment between two characters is torn asunder by a cringy Hollywood "NOOOOO" from Nite Owl, followed by him then beating up the guy who not only soundly pounded him mere moments ago without breaking a sweat, but who also has a monumental enough ego that it would be completely out of character for him to allow it. Case in point: he never got over having his arse handed to him by The Comedian all those years ago, hence why he was so vicious during the rematch. He held a grudge for that long.
Now, in the comic, this scene is quite minimalist. It's a quiet piece that builds to a crescendo. Little is said overall, but it adds to the intensity of the moment. The subtext is given room to breathe too: Man vs God, the Insane vs Cosmic Order, Existentialism vs God - all sorts of shit. On the surface, this isn't a heroic moment. It's a mad dog being put down. It is sad, private and inevitable. After he is murdered, no-one else really knows what happened. Subtext aside, it's an intensely emotional moment without being trite or histrionic.
Was Nite Owl's insertion into this scene necessary? Did it drive the plot along or give us a better understanding of the characters and their motivations? Did they perhaps add a layer of symbolism or thematic development? Did it make it better in anyway?
No.
So why add it at all? They had to have Nite Owl do those things because Hollywood can't have (what is ostensibly) a "bad guy" - they gave him overt Nazi connections, for fuck's sake - get away with his "nefarious" scheme without having some kind of comeuppance. Is that a sentiment the comic holds to? No, absolutely not.
That's one example of the film wearing the comic's skin but not having it's heart.
I'm a massive fanboy though so...
100 % agree. I loved that Bryan Hitch art man.
So you're in a band huh? What did you name it? And can hear it?
I named my band, Disasters of the Universe... Haha always chuckle when I say it out loud.
Yeah. This one isn't together anymore sadly. We were called:
Let Our Enemies Beware.
That's a great band name. Love a good pun, me
